IS THIS IT, Colin Lane
The
photograph that I am going to be critically reviewing is an image that holds a
lot of meaning and memories for me. “IS
THIS IT” is The Strokes 2001 debut album cover, and my favourite image of all
time. The artist behind the image is The Strokes’ official photographer Colin
Lane. I chose to review this because it represents a personal era of my life,
as the band I listened to over this era of my life was The Strokes, and this
album also makes me feel nostalgic, and miss the era that this photograph
represents so well.
Colin Lane, 1999, IS
THIS IT. [Photograph] (Blunt Photography London, RCA Records) |
Colin didn’t
have much of an idea as to who they were, so when he went to shoot them he took
his portfolio of work with him for them to gain an idea as to what the final
images from their shoot with Colin would look like. The “arse” shot was in the
portfolio, and The Strokes all agreed that this would be a suitable image for
the album cover, if Colin gave his permission, which he did. After that, the
rest is history, Colin has now photographed some of the world’s most famous bands
and musicians including Robbie Williams, The Arctic Monkeys, etc., and had work
published for companies such as Jack Daniels, and Sony.
The
photograph was taken on a Mamiya 7
Rangefinder Camera in 1999. The original print was on Celluloid
photographic paper. The image is black and white but with a very high level of
contrast, and I believe the fact that the image is black and white makes the
image look more like a photograph, because, if the audience saw a copy on the
image in colour and in black and white, the colour image looks like a copy of
reality, but the black and white image makes the audience automatically adapt
to know that the image is actually a photograph, which leads me on to talking
about the texture of the photograph. The texture is very of the photograph
seems very smooth, and the fact the glove is so shiny, leather and in focus
supports the smoothness that I stated.
The context
of the image is that the gluteal of the model is framed to be the primary focal
point, and the photographer (Colin Lane) has made her put a leather glove on,
and place it on the model’s gluteal suggestively. I believe he did this in
order to obtain a sexy picture, with a vintage feel, and by not including a
face in the photograph, it means anyone can relate to the image, without a
personal feel. Due to the sexual nature of the image, The Strokes and Colin
lane caused controversy across the globe, especially in the U.K and USA.
Woolworths and HMV across the U.K were both very reluctant about stocking IS
THIS IT due to the Photograph, but as it was in such high demand they
eventually both stocked the item, but the
case was worse for the USA version. The image was banned from all stores across
America, causing The Strokes to choose a new album cover. In relation to the
ban, US magazine, Entertainment Weekly gathered quotes from The Strokes band
manager Ryan Gentles about the decision. “Ryan Gentles, concurs that singer
Julian Casablancas ''wanted to change it for the whole world. He phoned and
said 'I found something even cooler than the ass picture (to replace Colin
Lane’s IS THIS IT photograph).” [Willman, C. September 14th 2001.]
The image,
as mentioned previously is the backside of a woman, with a hand wearing a
leather glove placed upon the backside of the woman in a rather provocative
manner. The photograph was taken against a plain white wall, and a flash was
used in order to give off very little shadowing, and make the image very clear.
The brightest part of the image is the background where the typography of “The
Strokes IS THIS IT” is placed in the top left hand corner, but the primary
focal point is the backside itself. I believe the image represents “that
glamorous woman” that we all aspire to obtain, but I also believe that the
image has a sense of freedom about it.
The
provocative and sexual nature behind the image helps support this sense of freedom
idea that I have, as the choice to be kinky is the female in the photograph,
plus we’ve all got a wild side to us. The fact that the photograph is black and
white reminds us that it is a photo, but the image looks like it could be the
bottom of Marylyn Monroe, or another woman from the 50’s, 60’s and 70’s, the
days before colour. The fact that Colin chose to shoot on black and white
supports the idea of “Glamour” and also brings in the elements of it being
timeless.
Colin’s
intentions were to create a photograph that was purely and simply just a sexy
image that was technically photographed very well, as he mentions in an
interview with STEAL-LIFE.com in January 2005. Colin shot about 10 photos in
order to obtain the “sexy image” and he had taken inspiration from
photographers such as Jim Marshall. [Anon., January 2005][Lane. C, 1999]
As I have
mentioned previously, I absolutely adore the image and everything it stands
for, whether it being my personal perception of the image(glamour, freedom,
rock ‘n’ roll) or what the photographer intended to shoot (purely just a sexy
image). I love it because it reminds me of a personal era of my life that I
adored, but also, technically speaking it is such a powerful picture, and a “V
sign” to the world.
There is a
story behind the photograph as Colin states on the music photography website
steal-life.com, ““It was basically my ex-girlfriend - it was all about the
black gloves. I’d done this fashion shoot for the Observer and the stylist had
left all these clothes at my apartment and there were these black leather
gloves which we hadn’t used in the shoot and so I said to my girlfriend, ‘come
on let’s take some photos with these black gloves’ and she was like ‘no, I’m
tired I want to go to bed’ and I eventually persuaded her to do a couple of
pictures. I put them in my portfolio and the day we did the press shoot I
bought my portfolio along because The Strokes had never really seen my work and
the arse shot was in there and Julian saw it and was just like, ‘that’s cool,
would you mind if we used it for the cover?’ So my girlfriend ended up getting
paid about 1,000 dollars for the shot from RCA and she never complained about
modelling for me again”. [Lane. C, 2005] [Anon., 2005]
I believe that this simplistically composed black and white photograph is so much more than just a photograph of a bare backside, I believe that it is the photograph that represents the door opening to modern rock ‘n’ roll, and the closest thing to what rock ‘n’ roll was. Is This It is the album and the photograph that changed modern indie rock’s image and sound forever. Is This It, is the sexy image of a photographer’s ex- girlfriend that won’t leave your head after you’ve seen it. Colin Lane’s Is This It, is “it”, whatever “it” may be.
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